Kelly Roth, A Modern Dance Leader in Las Vegas

At the helm of the dance program at College of Southern Nevada (CSN) since 1995, Kelly Roth has introduced the community college crowd to New-York style performance, and welcomed new dancers of all backgrounds to his classes and performances.  Here are excerpts of a conversation we had recently.

Kelly Roth and CSN dancers
Kelly Roth and CSN dancers

Andrea: What are the greatest changes you’ve seen or made happen since you took charge of the dance program at CSN [formerly Community College of Southern Nevada]?

Kelly Roth:  Our enrollment in the program has gone from 125 students to 600.  We’ve added an annual festival concert, “Dance in the Desert”.  We’ve introduced more formal training classes in ballet and modern dance technique.  The emphasis of the program has been changed to teaching dance as an art form, instead of as a form of exercise.  When you study dance as an art form, there are a lot of ancillary subjects that contribute to your understanding of what art is.  I feel that this results in a more well-rounded education for students, as it exposes them to a broader array of topics.

The dance program offerings have also been modified in the last 15 years to offer multiple levels of technique in ballet and modern, and we added a dance performance class which anyone could take, anyone who wanted to perform.  We added Concert Dance Company, which people had to audition for, and that enabled us to have a consistent group of people to work with.  Some of those people stayed in the company for 8 years. We’ve had a consistent core of male dancers in the Company for a long time, which makes us the envy of every small company in the valley.

We focus on the Alwin Nikolais/Murray Louis technique more than other Las Vegas dance programs do.  It teaches elements of time, motion, shape, space, and dynamics – the degree of release of energy.  Those are things you can apply to any form of dance because all forms of dance are composed of those elements.  So that’s a unique emphasis that we have here [at CSN].

The “Dance in the Desert” (DitD) festival is unique to our academic program because UNLV doesn’t have a dance festival.  At CSN, we can do large, expansive works, since we have fewer choreographers to accommodate on a single program, due to our smaller faculty.  We could even do evening-length works, if we wanted to, or three different works with two intermissions.  This would be more like the New York dance scene, instead of the 2-3 minute pieces that many other concerts are doing these days.  Longer programs help students learn that dance is an art, like opera, and not just a passing image or short segment, like dance in videos and on competitive TV shows is, so often.

CSN Dancers in "Dance in the Desert" Festival
CSN student dancers in the "Dance in the Desert" Festival

DitD is also unique to us in that it brings out-of-state companies here, which is great for the audience and for our CSN dancers, who can then see the trends that are out there and experience different choreographers.

A: Do you see growth or contraction in the recent Las Vegas performing arts scene?

KR:  I don’t see growth.  With the death of the Choreographer’s Showcase at Charleston Heights Arts Center, we lost a focal point, a good mix of genres, and the intermingling of professionals with college students.  It went for 25 years, and then it ended.  The management there said they were going to focus on single-company events, instead, but that never really happened, and now there’s no high-level dance performance there.  And no real community-wide dance event for serious, original works at all in the city.  At least, not one where college dancers and professionals from the Las Vegas Strip shows are on the same stage.

The Reed Whipple center used to host dance concerts, but not anymore.

The Smith Center is not going to have a small proscenium theater, either, that local companies could have used for performances. This is disappointing to small dance companies in town.

The other sign of decline is recent massive increases in the [Clark County] library theaters’ rental fees.  When I first got to town, I was amazed that libraries had these great little theaters that were available to the public at very affordable prices for non-profits.  It was really terrific.  But now that they’ve hiked their fees considerably [due to the state’s and county’s economic woes] it leaves most independent small companies without a real theater to perform in.  Companies like Las Vegas Contemporary Dance Theater, Las Vegas Ballet Company, and Marko Westwood have no place to go now.

The most affordable venue may be CSN’s Horn Theater.  It’s a terrific space.  It’s a 524-seat proscenium theater with full lighting and sound systems.  It has kept its rates down and is available to the public.  It may soon be hard to get a booking there, since the schedule is filling up.

A: What is the mission of the CSN dance program?

KR:  The short version of the mission statement of the CSN dance program is that we see dance as one of the many art forms that humanizes our society and that plays a very strong role in education.

A: How has the state legislative session of 2011 affected CSN’s Dance program?

KR:  Well, it’s hard to really understand what’s going on sometimes.  The figures are constantly changing.  So far, there’s a 2.5% cut in salaries, and there may be an additional 2.5% cut next year, which affects all faculty.  The performance budget is always up in the air.

I’ve produced dance concerts in all kinds of economic circumstances.  It’s been said that after a nuclear holocaust, the roaches and the dancers will be the only ones crawling out from under the rubble; that’s how tenacious dancers are when they want to perform.  So, I’m used to doing what I can with what I have.  The Fine Arts Department has been really generous with us so far, and that’s really helped us out. Friends of the Horn is a group that gives us a lot of support.   DitD Festival sincerely appreciates the consistent support provided by the Nevada Arts Council, which has made an important difference throughout the years.

For some of our grants, we have to find matching funds, so private donors have been a saving grace for us.  Sometimes this doesn’t come through, though, and we’ve had to cancel some guest artists due to budget shortfalls.



5 thoughts on “Kelly Roth, A Modern Dance Leader in Las Vegas”

  1. I truly appreciate this article and I’m most grateful for Kelly Roth and his artistic vision and his training of intelligent dancers in Las Vegas. CSN has provided everyone with an incredible dance program and cultural voice we can be proud of.

  2. I have to echo Mr. Roth’s frustration with the lack of affordable performance space here in Vegas. Other than those at the Horn (which he correctly points out as still being affordable,) the rental rates for almost all venues have become prohibitive and far out of reach for small and medium size theatre and dance groups. My fear is that the inability of local groups to find affordable space will cripple their ability to present their work. This will be a loss not only for the performers, but also for the communities themselves.

  3. Andrea, thanks so much for this and all the informative blogs you provide the community. You are uncovering some of the real hidden gems that make Vegas a city of evolving culture!

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