Monthly Archives: June 2013
June 12, 2013
Spring Mountain Ranch
Super Summer Theatre’s “The Music Man” premiered with visual and musical glory that rivaled the golden sunset itself.
The timeless and well-known story was brought to life by Huntsman Entertainment’s high production values and astounding investment in the visual elements, which framed and matched the musical talent endemic in the cast.
The costumes were beautiful in design, construction, and materials. Constant costumes changes gave a fresh and eye-inspiring feel to every scene. The opening black-and-white palette gave way to an explosion of color half-way through the show. The costumes were intricately designed, down to bloomers under the skirts.
The detailed sets were a feast of turn-of-the-century colors, shades, and architectural detailing. The huge backdrop channeled antique parchment, while the bridge’s sculptured-stone façade was perfectly convincing, as were the portals’ faux-brick treatment.
The choreography was lively and well-rehearsed. Parts closely resembled the movie choreography, and all were nicely staged and exciting to watch.
There were many charming moments in the show that make it very memorable (they won’t be revealed here).
This was a classic presentation of a timeless, family-friendly musical, with production values far beyond what one would dream of in a community production; that is the magic that so many wonderful theatrical groups bring to Las Vegas, now including Huntsman Entertainment. This show splendidly brought the joy of musical theater to the Super Summer Theatre audience.
Rating: A- (=go see it!)
June 8, 2013 at Las Vegas Little Theatre
New works by Las Vegas playwrights? Right here at Cockroach Theatre’s new program, “The Residents.” Currently housed at Las Vegas Little Theatre during the Vegas Fringe Festival, and soon to be based in Art Square Theatre, this group of thesbians, playwrights and visionaries are doing something very rare; cultivating local playwright talent.
“Sudoku”, a full musical in under an hour, featured original script and score. The micro-theatre space of LVLT’s Black Box and minimalist sets left the storytelling to the script and actors. Playwright Ernie Curcio offered a book of angst, neurosis, and devastation, which was brought to life by actor Glenn Heath in agitated, suffering desperation. Jacquelyn Holland-Wright completed the cast in her absorbing portrayal of Heath’s desire and torment.
Composers Angela Chan and Jolana Adamson created a pleasing contemporary-style score and lyrics that were vocally caressed by Heath and Holland-Wright.
“Sudoku” uses numbers and puzzles as a metaphor for life’s challenges and how people choose to deal with them. The script is symbolically and cleverly written, and makes a fine addition to contemporary theater.
The performance was an emotional touchstone for the audience: many were weeping as they rose from their seats at the end.
Don’t miss the intimacy and talent of local, new theatrical works: check out Vegas Fringe Festival, Las Vegas Little Theatre, Art Square Theatre and Cockroach Theatre.
Rating: A- (=go see it!)
Audience: Ages 10+
A crowd awash in gowns, victory rolls, sequins, feathers, rhinestones, glittery neckties and tuxedos swept into the Orleans Hotel for the annual Burlesque Hall of Fame Weekender. Audience members and performers from around the globe gathered to celebrate glamour, beauty, and the art of the tease. This annual Las Vegas event hosts some of the most creative, artistic, and original performing seen at any time of the year in Las Vegas. Burlesque is alive and well, and this weekend shares its seductive, naughty, and comedic best with the world.
The third night’s “Tournament of Tease” featured current acts vying for best in their category, as well as the contest for the new Miss Exotic World. Various acts highlighted classic stripteases, innovative ideas, and special skills such as acrobatics, fans, reverse-strips, and butterfly skirts.
In the “Best Debut” category, Elektra Cute wowed the audience with her Art Deco-era style and mystery. The drama in her expression was riveting, and her costume pieces were elegant, flapper-inspired works of art.
Eliza Delite brought her creative Pope-inspired act, starting in Victorian-era robes and crown, then disrobing into a beautiful gold cape which she manipulated in beautiful butterfly-movement using embedded sticks. She evoked the image of one of the first motion-picture-captured dancers in silent films, who turned in a circle as she fluttered beautiful fabric wings. Ms. Delite was regal and old-Hollywood retro.
Lady Borgia started with nice fan work that ended too soon, but transitioned to very nice dancing using her flowing dress teasingly.
Laurie Hagen presented a reverse strip that also attempted to give the feeling of movement done in reverse. Her jerky movements were foreign to this art’s normally beautiful and graceful style, but was an interesting variation.
In the “Best Group” category, Swing Time presented a comedic take on a threesome with great boylesque and nice group sculptures. They won their category.
Burlesque artist Lou Lou D’Vil won the crown of Miss Exotic World, Queen of Burlesque with her classic, elegant striptease and ermine-dripping costume.
While the Burlesque Hall of Fame Weekender is not for all ages, it presents an expressive art form that is enjoying a well-deserved revival. Especially in a city of raunchy strip clubs and nightclubs, it is a welcome breath of beauty, camaraderie, and glamour.